Takahiko Iimura Movies
- 1975

24 Frames per Second
24 Frames per Second01975HD
This film, and in particular the function of sound within it will vary freely from moment to moment, viewer to viewer.
![24 Frames per Second]()
- 2012

Film Workshop In SANGENJAYA - Summer
Film Workshop In SANGENJAYA - Summer02012HD
8mm short by Kenji Onishi and Tohru Mabuchi.
![Film Workshop In SANGENJAYA - Summer]()
- 1972

Models: B-4: Seeing, Not Seeing
Models: B-4: Seeing, Not Seeing01972HD
Short work.
![Models: B-4: Seeing, Not Seeing]()
- 1962

On Eye Rape
On Eye Rape11962HD
"The original film was rescued from a Tokyo trash bin. It is an American sexual education film in which plant and animal sex are explained. I,...
![On Eye Rape]()
- 1972

Models: B-2: A Line 1, 2, 3
Models: B-2: A Line 1, 2, 301972HD
Takahiko Iimura's Models Series
![Models: B-2: A Line 1, 2, 3]()
- 2023

Time Tunnel: Takahiko Iimura at Kino Arsenal, 18. April 1973
Time Tunnel: Takahiko Iimura at Kino Arsenal, 18. April 197302023HD
In 1973 the Kino Arsenal – then in its Welserstraße location in Berlin-Schöneberg – showed a programme of videos by the...
![Time Tunnel: Takahiko Iimura at Kino Arsenal, 18. April 1973]()
- 2008

A Rock In The Light
A Rock In The Light02008HD
In “A Rock In The Light”, I requested the music of Haruyuki Suzuki, a contemporary composer. This music is unified with the image, which...
![A Rock In The Light]()
- 1972

Models: B-1: Counting, 100 Or X's
Models: B-1: Counting, 100 Or X's01972HD
Models, Reel 2 (B-1~4) consists of four works and is dealt with, different from Reel 1, symbol/words, and the logic in film. First "Counting 1 to 100...
![Models: B-1: Counting, 100 Or X's]()
- 1972

Models: A-2: Timing 1, 2, 3, 4
Models: A-2: Timing 1, 2, 3, 401972HD
Takahiko Iimura's Models Series
![Models: A-2: Timing 1, 2, 3, 4]()
- 1984

New York Hot Springs
New York Hot Springs01984HD
‘New York Hot Springs’ (1984) is scenes of steam coming out of many streets of New York, a typical scene in winter, in repeated cycles of...
![New York Hot Springs]()
- 1977

Visual Logic (and Illogic)
Visual Logic (and Illogic)01977HD
Demonstrates the visual logic (and illogic) of sign combining with limited movements of camera for panning and zooming.
![Visual Logic (and Illogic)]()
- 1985

Moments At The Rock
Moments At The Rock01985HD
“Moments At The Rock,” shot with an amateur video camera, was made as a free style improvisational film. The camera got strange halations...
![Moments At The Rock]()
- 2003

I am (Not) Seen
I am (Not) Seen02003HD
This video deals with the perception of seeing including the words as I see you, I am seen, and I am not seen. These words are superimposed over the...
![I am (Not) Seen]()
- 1990

To The Garden of Water Lilies
To The Garden of Water Lilies01990HD
Film by Takahiko Iimura
![To The Garden of Water Lilies]()
- 1973

1 To 60 Seconds
1 To 60 Seconds01973HD
"In 1 to 60 Seconds Iimura does an extraordinary thing: he abstracts time from any concrete associations, seems to put it on the screen and there you...
![1 To 60 Seconds]()
- 1991

Concept tape 3 (Performance)
Concept tape 3 (Performance)01991HD
A compilation tape of performances including John Cage Performs James Joyce, Arakawa, and Iimura's first AIUEONN and As I See You You See Me shot...
![Concept tape 3 (Performance)]()
- 1970

Kiri (The Fog)
Kiri (The Fog)01970HD
"Shot on 8mm on a mountain in Japan, the abrasive winds that drift the fog in Iimura's Kiri are so fierce we almost believe it to have grazed the...
![Kiri (The Fog)]()
- 1969

Filmmakers
Filmmakers01969HD
Iimura creates a short self-portrait as well as brief portraits of five of his peers: Brakhage, Vanderbeek, Smith, Mekas and Warhol. In each...
![Filmmakers]()
- 1962

Dada 62
Dada 6201962HD
Yomiuri Independent was an annual show between 1949-1963 that exhibited all art that was submitted. Artists in the early 60s began to take advantage...
![Dada 62]()
- 1987

I Love You
I Love You01987HD
“Double Portrait” and “I Love You” are a paired piece with Akiko Iimura. Both Iimuras play individually as well as a unit. In...
![I Love You]()














